![]() However, it turns out Hannah has found more than bagpipes and haggis in the lush countryside. The absence works, and by the time she returns Tom is ready to almost commit for the first time in his life (his prowling instincts still aren’t quite ready to handle marriage). To help his heart grow even fonder, the screenwriters (who have penned the cinematic classics Josie and the Pussycats and The Flintstones in Viva Rock Vegas) ship Hannah off to Scotland on a work assignment for six-weeks. Even Tom’s pick up basketball buddies can see the young lady is yearning for more than a chat over coffee, and they suggest that perhaps it’s time for their thirty-something teammate to move Hannah off the back burner and kindle a real relationship. ![]() Now her eyes are beginning to twinkle when she spends time with the hypersexual bachelor. Not surprisingly, as is often the case in the movies, Hannah’s IQ took a nosedive with the passing of time. ![]() And she appears to be one of the few women in the Big Apple who has never taken a bite. She told him that fateful night a decade earlier when she kicked him out of the sack that she would never sleep with him. ![]() Now, ten years and who knows how many beds later, Hannah, working as a contract artist in New York City, is relegated to being Tom’s Sunday girl, best friend and possibly the only female he relates to on a non-sexual basis. His first meeting with Hannah (Michelle Monaghan) was anything but spectacular-he was expecting a different woman to be in the bed he was jumping into. The old saying, “You snooze, you loose” has definite application in the life of Tom (Patrick Dempsey). ![]()
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